For example VTines MK1 allows for the adjustment of around 9 parameters on a per key basis! In other words you can adjust the virtual “pickup distance”, “tine height”, and more for individual notes on the instrument. Although VTines MK1 provides only one electric piano model, is it by far the most adjustable of the examples I have used. The latest Rhodes VST that I have found interesting is VTines MK1 from Acousticsounds.

No emulation has the ability to replace the Rhodes, but I’m hoping to find a satisfactory facsimile for live performances. This article is a reflection on a new-to-me VST that might just work in my weird and atypical performance and studio setups. Over the years I have used Lounge Lizard ( Electric in Ableton Live), Arturia’s Stage-73 V, and several others with limited success. Since the Rhodes (the actual 130lbs version) has been the instrument of choice for me for many years, the first thing I wanted to determine was if there was an electric piano VST that could emulate the Rhodes well enough to satisfy my ears.

This is an approach that I have used in the past, and one that many professionals choose, so I have decided to explore a few modern examples of this possibility in detail.

Keston with a Rhodes EP at the McGuire Theater, Walker Art Center, MinneapolisĪs I continue my search for the “perfect” stage piano (spoiler: there isn’t one) I have been asking myself if it is practical and/or desirable to use a VST instead of a dedicated hardware instrument.

Stage 73 vst